Shang Xia pop-up in Singapore at TakashimayaJiang Qionger founder of shang xia

Ask Shang Xia’s founder Jiang Qionger about the most precious things her designs offer to customers, and she will tell you they are memories and time.

“Think about it, memories and time are the two things in life that cannot be retreived once they are gone,” she explains in mandarin. The Shanghai-native began learning calligraphy at the tender age of two, and spent her teenage life pursuing a masters in design at the National Art Institute in France.

Get up close to the beautifully made products at Shang Xia's pop-up at Takashimaya

Since then, she has grown to become one of China’s fastest growing designers in the art scene. From her first art exhibition in 2001, Qionger caught the attention of art collectors and brands interested to collaborate with her. One of these brands, the luxury fashion house of Hermes, would go on to become her business partner and together they launched Chinese brand Shang Xia (which means “Up Down” in Chinese) in 2008.

The furniture from Shang Xia are made using ancient craftsmanship from China.

Qionger was in Singapore last week to launch a pop-up of the brand, which will be open to the public at Takashimaya, level 1, unit 112 from now until 9th February, 2020. The affable designer opened up about her design philosophy, and hopes of using the brand to promote Chinese culture. Shang Xia uses all forms of Chinese craftsmanship, from intricate bamboo marquetry to wood carving, production of fine bone china and ancient wool weaving techniques from Mongolian tribes, to create all the pieces in her collection.

Candle (Fruit)_$148 Cherry Wood Incense Holder with Bamboo Sheets_$1818

Visitors are encouraged to spend as much time at the pop-up as they like, in order to learn about the stories behind the items. Prices range from $138 for a box of high grade tea leaves, to $1,818 for a cherry wood incense holder.

Inkstone and brass incense set _ $588Tea Leaves Gift Set_$138_A

“It takes our artisans a lot of time to perfect their craft, and their stories are told in every stroke they leave on the final product. But coming into contact with the items, you glean a sense of this passage of time, and share in a memory that was created by both the maker of the object, and the viewer,” she enthuses.